My father had nothing but contempt for such stories, saying they were "cheap shots." It is I suppose, what my father always frowningly called "an Alfred Hitchcock ending," by which he meant a conclusion in ambiguity that allowed the reader or viewer to make up his own mind about how things ended. As he finishes writing the pages explaining the entirety of The Mist, he sets up the ending with the following caveat:īut you mustn't expect some neat conclusion. What follows is a longer driving sequence that hits upon the heavily implied death of David's wife, and sees the crew making their way to a Howard Johnson's hotel near the state border. The novella The Mist ends pretty similar to the movie, with a daring escape being made by David, his son, and two others. But the real kicker is when he sees truckloads of survivors from the supermarket they had fled, including a woman who previously wandered into the mist, played by The Walking Dead's Melissa McBride. Apparently, the Army base that started this mess got the situation under control, and David sees this all too clearly when soldiers start to clean up the area around him. So he walks outside, egging on fate to engage in what we've come to know is the standard operating procedure of The Mist: the prospect of a horrific monster eating him. Unfortunately for David, there were five people and four bullets, leaving himself unable to finish his task by killing himself. This includes David's young son, who's only eight years old at the time. Faced with the choice of either being ended by the monsters or by their own devices, the group allows David to shoot them all as an act of mercy. The surviving party members find themselves stranded on the road, as the car they took runs out of gas mid-journey. Prepare yourselves, as we're about to go back into The Mist.Īfter spending almost the whole movie cooped up in the supermarket, hiding from the creatures that make their home in The Mist, Thomas Jane's David Drayton leaves the safety of the building with a select group of people, in order to drive into the mist. It's an ending we need to discuss, and that's exactly what we're about to do. Though the thing that scares us the most about The Mist is its ending, an occurrence so shocking that it's still one of the most harsh finales we've ever seen. And if being stuck in a grocery store with an angry mob led by a religious zealot inside isn't something to be afraid of, having massive and unfriendly creatures waiting on the outside certainly is. Most importantly, it's Halloween, and that's the time of year to indulge in what truly scares you. Hell, seeing Thomas Jane in this weekend's 1922 kind of drove the point home, as he's once again proven he's one of those actors that just gets King's work. Blame it on how it's been the year for Stephen King adaptations or the fact that the Spike TV adaptation was cancelled. With all of this talk about Stephen King movies in 2017, there's one movie that's been a recurring thought in our minds as of late: Frank Darabont's 2007 adaptation of The Mist.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |